Although rarely attested during the historical era when they were active, since the early nineteenth century the word “Viking” has been popularly applied to describe groups of Scandinavian adventurers who marauded along the frontiers of Medieval Europe: in this respect, the image of “the Viking” may be regarded as much a modern, as it is a medieval, creation. The legacy of historical “Viking activities” was a factor in the development of modern nation states in Scandinavia and the Baltic region, and their contributions to the heritage of people residing in Britain, continental Europe, the Middle East, and even the Atlantic coast of Canada have been and continue to be cited to the present day. Aspects of culture attributed to “the Vikings”—their assumed independence, courage, resourcefulness, and tenacity in the face of adversity, as well as the occult characteristics of their cosmology—have, for better and worse, inspired modern artists, writers, composers, intellectuals, explorers and even political leaders, and persist in present day literature, art, music, sport and popular culture as well. Why and how do elements of historic Viking culture continue to evoke traditions and characteristics popularly attributed to “the Vikings”? What are some implications of “Viking-ness” for those people in the post-Viking Age past and/or present who we may regard—or may regard themselves—as the “cultural descendants” of the Vikings? In this seminar, participants will study selected cultural artifacts of the “post-Viking Age,” along with recent multidisciplinary research, to observe how various “post-Viking Age” cultures and subcultures have selectively appropriated elements of the “Viking” past. Restricted to first-year students. Not eligible for CR/NCR option.