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This course introduces students to professional editorial conventions at two later stages of the editorial process. Both stages require analytical skills and sentence expertise. Through stylistic editing, students learn how to improve a writer’s literary style; through copy editing, they learn how to ensure both accuracy and consistency (editorial style).

This workshop course examines methodological approaches to literary fiction from the perspective of the creator. Through course readings, discussion, and creative writing assignments, student writers will learn how prose writers combine stylistic techniques, point-of-view, setting, character, scenes, and structure to produce literary effects.

This course introduces students to works by some of the most influential literary journalists of the twentieth and twenty-first centuries. Classes will be devoted to individual literary-journalistic genres: the personal essay, the profile, the polemic, the memoir, literary reportage, and cultural criticism. Students will look closely at key writers who worked across these genres: George Orwell, James Baldwin, Joan Didion, Joyce Carol Oates. Over the semester, students will develop and write a feature-length work of literary journalism in a genre of their choice, to be refined through peer workshop and instructor feedback.

This course introduces professional editorial conventions at two early stages of the editorial process. Both stages require editors to think critically and creatively as they assess content, organization, and argument. Students learn how to analyze and evaluate these elements, envision possible improvements, and explain these suggestions persuasively.

Independent research projects devised by students and supervised by the Writing and Rhetoric staff. Open only to students who are completing the Minor Program in Writing and Rhetoric Program. Applications should be submitted to the Program Director by June 1 for a Fall session course or by November 1 for a Spring session course. Not eligible for CR/NCR option.

Independent research projects devised by students and supervised by the Writing and Rhetoric staff. Open only to students who are completing the Minor Program in Writing and Rhetoric Program. Applications should be submitted to the Program Director by June 1 for a Fall session course or by November 1 for a Spring session course. Not eligible for CR/NCR option.

Independent research projects devised by students and supervised by the Writing and Rhetoric staff. Open only to students who are completing the Minor Program in Writing and Rhetoric Program. Applications should be submitted to the Program Director by June 1 for a Fall session course or by November 1 for a Spring session course. Not eligible for CR/NCR option.

Seminars in special topics designed for students who are completing the Minor Program in Writing and Rhetoric.

Seminars in special topics designed for students who are completing the Minor Program in Writing and Rhetoric.

Seminars in special topics designed for students who are completing the Minor Program in Writing and Rhetoric.

Explores the role of writing and rhetoric in the shaping of material culture and public taste in Victorian illustrated magazines and newspapers in the Aesthetic period (1860-1900). The Great Exhibition of 1851 will provide the context for this study of texts and objects, including the decorative arts.

We will read and write a variety of texts focused on effecting social change. Students will be encouraged to engage with different theories of social change and an array of writing genres, ranging from journalism to critical theory to fiction. Ultimately, students will focus on one or several key social issues that they wish to write about for their final project.