DRM303H1: Theories of Acting

Hours

36L

A critical survey of the major theorists and practitioners whose writing has influenced the art of the actor, with a focus on Twentieth Century acting and actor training. Students will be introduced to the work of Konstantin Stanislavsky and his American followers (such as Lee Strasberg), Vsevolod Meyerhold, Bertolt Brecht, and Michael Chekhov, among others.

Prerequisite
DRM101Y1 or any 4.0 credits
Exclusion
Distribution Requirements
Humanities
Breadth Requirements
Creative and Cultural Representations (1)
Mode of Delivery
In Class